Artist
Bio
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I was born in Monroe,
Michigan and began painting and drawing at a very early age. No
surprise there, all kids draw, but I never stopped!
Throughout my teens,
I taught myself line quality and drawing by copying and imitating
comic artists. Most of you know very well the art of Frank Frazetta,
Bernie Wrightson, Jose Gonzalez (Vampirella), and the entire stable
of artists at Warren. I couldn't wait to scrape up the couple
of bucks every month to go grab the latest Creepy, Eerie, and
Vampirella.
By the time I entered
Monroe County Community College on an art scholarshipin 1980,
I had started to focus on portraits, wildlife , and general art
technique. I was also taught the best lesson of all-I HAD TO
WORK! Thanks to Gary Wilson and Ted Vassar, I slowly began
to round out and discover my own technique, which I still do today.
Ted Vassar was a wildlife
artist at the time, and, being influenced by him, I began painting
wildlife and doing many shows and competitions. I had works appearing
in many publications including Monroe Magazine, Michigan Out-of-Doors,Wyoming
Wildlife, and Wildlife art News.
In 1987, I recieved
a commendation from the State of Michigan for artistic achievement.
I competed in the Michigan Wildlife Artist of the Year Competition
and placed in the top five in 1988 and 1989. I also placed top
five in the Wyoming Conservation Stamp Competition in 1991, when
my work went on traveling exhibit throughout the state'smuseums.
I was the featured artist at several gallery shows and exhibited
works at many wildlife art festivals, including the Northern Wildlife
Art Expo. I had several one-man shows, including Central Wldlife
Gallery in Toledo. Ohio, and at the Monroe College. I eventually
started producing Limited-Edition prints of a good half dozen
or so of these images and ammassed quite a following. Thank you
to those people!
Despite all the busy
activity in the wildlife field, I still had an attachment to the
horror genre. I continued to draw Frankenstein, Dracula, and assorted
zombies. This type of work is at the opposite end of the spectrum
from wildlife, but most artists do a variety of subjects.
In 1993, when the film
Bram Stoker's Dracula was released, I was inspired enough by the
imagery to paint Gary Oldman as the Count. In a way, this was
a new direction to take my work, but was also a return to the
kind of art that I really enjoyed. I liked the painting well enough
to have it licensed through Sony Merchandising and had it printed
as a Limited-Edition. Because of my ventures into the horror art
realm, I have had the opportunity to meet many of the horror film
heroes that have inspired me in my youth. Some of these people,
such as Tom Savini, Anthony Hopkins, Gary Oldman, Ted Nugent,
and the band Kiss now own some of my work!
Learning the mechanics
of the airbrush has taken me into the world of nudes and pin ups.
The airbrush lends itself to this genre, and I have no shortage
of work or inspiration in this arena. While I am currently working
almost exclusively in the horror art, pin up, and fantasy field,
I do a lot of architectural commission work . These projects make
up the body of my current work. I really have a great time meeting
and working with other artists, models, and photographers.
In 2005, I was commissioned
by Image Ten, Inc. to produce work to represent the classic 1968
film "Night of the Living Dead". In 2006, I started
to do commission work with Fantasy Flight Games, who produce the
role playing game version of George R. R. Martin's Game of Thrones
books. My work appears in Veronika Kotlajic's book "The Muse",
a compilation of her career as a model and artist. My work has
also appeared in International Illustrator and Airbrush Art/Action
magazines on several occasions.
I am lucky enough to
work with a great stable of photographers and models. I have been
doing work with Veronika Kotlajic, Bianca Beauchamp, Anastasia
Dorohova, Drakaina, Claudia Moreno-Toscane, Nicole Damon, Kelly
Kole, Khwan, Deb Shaw, Lauren Michelle, and their photographers.
I can't thank them enough for what they do.
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